What makes a king? Set on an isle ‘full of noises’, this magical production features a glowing score by Joan Armatrading. Map Our membership in ETAS has temporarily doubled our digital collections, adding 3 million additional items. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The film versions were shot live in a specially built temporary theatre in King’s Cross in 2016. . About St. Ann’s Warehouse Brings Back, FRIDAY, JUNE 1 Sign in. MAY 31, 7pm | JUNE 1-3, 1pm, Shakespeare’s raw and searing study of power takes us deep into a dangerous world of conspiracy, assassination and retribution. The Libraries are open to serve you, even while our physical collections are unavailable during the COVID crisis. Text taken from the Bloomsbury Drama Online platform. Runtime: 2 hours An unmissable collection of Phyllida Lloyd ’s all-female Shakespeare Trilogy. COVID-19: Updates on library services and operations. The final instalment in the Donmar Warehouse’s all-female Shakespeare Trilogy sees Harriet Walter take on the role of Prospero in this evocation of the eternal struggle for freedom, morality and justice. web accessibility.

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Access to e-resources during COVID-19 outbreak, Follow ejournals@cambridge on WordPress.com. ( Log Out /  Director Phyllida Lloyd’s arresting live productions of JULIUS CAESAR, HENRY IV and THE TEMPEST come to the big screen!
It's exhilarating to be shown a Shakespeare which is tangibly alive on screen –THE SCREEN INTERNATIONAL Read the full review here>>, There's a quirky earthiness, comic grit, and fiercely choreographed punch in this splendid multi-ethnic cast which has no weak link….brilliantly bracing...–THE INDEPENDENTRead the full review here>>, A strong, imaginative concept, which casts a whole new light on the play.–CLOSE-UP FILMRead the full review here>>, A triumphant project… Enter your email address to follow this blog and receive notifications of new posts by email. JULIUS CAESAR * HENRY IV * THE TEMPEST. The Donmar Shakespeare Trilogy began in 2012 with Julius Caesar and was followed by Henry IV in 2014 and The Tempest in 2016. Harriet Walter leads an all female cast in these three productions set in a women’s prison. ( Log Out /  The film versions were shot live in a specially built temporary theatre in King’s Cross in 2016. Critics celebrated the original staging as ‘A glorious reminder that genuine diversity offers astonishing creative benefits’. – The Observer.

The workshop will focus on the play’s plot, character and themes – power and ambition, conspiracy and retribution; look at staging and speaking Shakespeare; and address empowerment, confidence and finding one’s voice with experienced professional women. Organized in conjunction with Shakespeare Trilogy on Screen. The Trilogy enthralled theatre audiences in London and New York and was shared with women and girls in prisons and schools across the UK. Phyllida Lloyd directs a cast including Harriet Walter in Shakespeare’s great political drama, part of the Donmar Warehouse’s all-female Shakespeare Trilogy. The Trilogy enthralled theatre audiences in London and New York and was shared with women and girls in prisons and schools across the UK.

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Tell us about a web Directed by . Watch the trailer>, Traveling to the heart of family, duty and country, Shakespeare’s monumental history play asks what makes a father, and what makes a king. See all 3 films in 1 day | $50, “One of the most important theatrical events of the last twenty years” The director for both stage and screen is Phyllida Lloyd, and Dame Harriet Walter is Henry IV.

Against the backdrop of a women’s prison, Harriet Walter, “one of the best Shakespeareans alive” (The Guardian), leads a fierce all-female cast, empowered to play the parts originally writ for men. There follows the descent of the country into factions and the outbreak of civil war. Shakespeare’s Globe on Screen 1 (2008-2015) and 2 (2016-2018) Julius Caesar was selected for the 2017 Edinburgh International Film Festival and was screened at selected cinemas across the UK. Building on our ongoing partnerships with St. Ann’s and the Donmar Warehouse, Join Donmar Discover Theatre Maker, Jordana Golbourn for Female Empowerment Day. Directed for both stage and screen by Phyllida Lloyd. Access to the content on this site is free to students and teachers at schools and colleges in the UK. Shakespeare’s monumental history play travels to the heart of family, duty and country. Pick your own dates to see all 3 films | $55, MARATHON TICKETS

Building on our ongoing partnerships with St. Ann’s and the Donmar Warehouse, Join Donmar Discover Theatre Maker, Jordana Golbourn for Female Empowerment Day. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. Change ), You are commenting using your Google account. Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. 130 St. George St.,Toronto, ON, M5S 1A5 Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. Over the course of the day young women from NYC public high schools will explore the Donmar Warehouse’s all-female Julius Caesar and attend a film screening. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. These critically acclaimed productions were captured live at Donmar Kings Cross and co-produced by the Donmar Warehouse and Illuminations. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter.Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ University of Toronto Still have questions? The trio of films make their American Premiere in this weekend long film festival at St. Ann’s Warehouse! Runtime: 2 hours

This innovative film, recorded before a live audience, documents the Donmar Warehouse’s all-female stage production, adapted from William Shakespeare’s two plays about King Henry IV, Prince Hal and Falstaff. The bold, contemporary production is presented as if played by inmates of a women’s prison and was described by critics as ‘unforgettable’.

A celebration of the fertile possibilities of breaking free of conventional casting.

Teachers with students in the Empowerment Workshop are invited to bring their full class to the Julius Caesar Screening at 1 PM. : Bloomsbury Publishing Plc, 2019. Set in a women’s prison, the production asked the question, ‘Who owns Shakespeare?’ Two further productions followed: Henry IV in 2014 and The Tempest in 2016, all featuring a diverse company of women. Terms and conditions.

All rights reserved. If you’re a teacher and you haven’t been to this site before, you'll need to register your school to access all the content. ( Log Out /  Shakespeare, William, 1564-1616 Dramatic production. online privacy and data collection. Through the support of anonymous donors the University of Cambridge now has full access on and off campus to the Donmar Shakespeare Trilogy on Screen. 1:00 PM         SCREENING OF JULIUS CAESAR, Runtime – 2 hours, To participate visit: https://goo.gl/forms/1ZbBlwi7lwjZPqVM2, Respond by Friday, May 18:  First Reply, First Confirm, Limited Places, No Cost, Maximum Number of Students per Class for the Workshop:   6.

The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter. Change ), You are commenting using your Facebook account. library.info@utoronto.ca

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Terms and conditions. The Trilogy, staged by Donmar Warehouse to great acclaim, featured an entirely female cast, with actors playing the roles of prisoners attending a drama group, performing in three of Shakespeare’s most famous plays - Julius Caesar, Henry IV and The Tempest.

Please check the HathiTrust Emergency Temporary Access Service (ETAS) for your item. Runtime: 2 hours 9 AM – 3:30 PM Watch the trailer>, MULTI-DAY TICKETS As Brutus (Harriet Walter) wrestles with his moral conscience over the assassination of Julius Caesar (Jackie Clune), Mark Antony (Jade Anouka) manipulates the crowd through his subtle and incendiary rhetoric to frenzied mob violence. FREE FOR NYC DOE STUDENTS. –EVENING STANDARDRead the full review here>>, Film introduction from Director Phyllida Lloyd and Harriet Walter Watch it here>>, Translating the Stage to Film: An interview with Director Phyllida Lloyd Read it here>>, Radio interview with Harriet Walter about 'Trilogy on Screen' Listen here>>, In the Year of #MeToo and “Time’s Up” 416-978-8450 Power, betrayal, justice. Toronto. DETAILS .

About ETAS items are listed as print-only in our catalogue. The Donmar Shakespeare Trilogy began in 2012 with an all-female production of Julius Caesar led by Dame Harriet Walter.

JULIUS CAESAR Libraries Please let us know: [London?]

: Contact [email protected] or 718-834-8794 x117, LOU REED / JOHN CALE SONGS FOR DRELLA: A FICTION (1990), Medium Rare Interactive Photo: Nadav Kander. Watch the trailer>, Harriet Walter plays Prospero in Shakespeare’s epic evocation of the consequence of confinement and the eternal struggle for liberation and justice. Set in the present-day in the world of a women’s prison, Julius Caesar could not be more timely as it depicts the catastrophic consequences of a political leader’s extension of his powers beyond the remit of the constitution. What makes a father?

Questions? St. Ann’s Warehouse The Donmar Shakespeare Trilogy on Screen. Brooklyn, NY, Organized in conjunction with Shakespeare Trilogy on Screen. © University of

( Log Out /  Through the support of anonymous donors the University of Cambridge now has full access on and off campus to the Donmar Shakespeare Trilogy on Screen.

Set in a women’s prison, the production asked the question, ‘Who…

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