Tickets £7-£62, until 15 February 2020. The bulk of it plays as straight drama, but its best moments constitute a wry and playful interrogation of the interplay of history and invention. The older Elizabeth, played by Abigail Cruttenden, that takes up the throne upon the death of her sister Mary has hardened herself to ruthless imperiousness. Instead you will have a compelling evening laughing and scheming alongside one of the savviest, most uncompromising queens ever to rule this sceptred isle. A part of the 2019/2020 season at the SAM WANAMAKER PLAYHOUSE is SWIVE [ELIZABETH]. The line up includes Nina Cassells, Abigail Cruttenden, Michael Gould and Colin Tierney. The opening breaks the fourth wall to have a jibe at the ‘cosy candly Elizabethan bullshit’ of the Sam Wanamaker Playhouse, which is, after all, ‘no more than five years old'. Sign up to find out about new shows, ticket offers, theatre packages and the latest West End news via email only from LOVEtheatre. The power imbalance is encoded in the word. Please check your inbox for a confirmation email and click the link to verify your account. DIRECTED BY Natalie Abrahami WRITTEN BY Ella Hickson. Not bad for a queen with such ‘womanish infirmity’. The show follows Elizabeth as a determined, independent and discerning woman at a time when women were still treated as male property. However, this choice is shown to come at a cost of cutting desire, which she feels to be a weakness, out of herself. She is researching an AHRC-funded PhD on contemporary feminist theatre and realism at the University of Oxford. To enjoy unlimited access to Culture Whisper sign up for FREE. Four-times married Catherine (Abigail Cruttenden) knows what men expect of females. Report a … The score was performed by a live band. This is a woman trapped by her birth and her gender but confident in her intelligence and a clever manipulator but driven by self-protection and that of her new protestant realm, not by power lust. The double meaning of the archaic verb to ‘swive’ as both to copulate with and to reap imbues this play, exploring ‘the power and perception of the feminine'. 14 December 2019–15 February 2020. If you click «Log in with Facebook» and are not a Culture Whisper user, As a subscriber you’ll get 50% off any new self-releases and be able to access them a week before they hit streaming services. Sex as power in the reign of Elizabeth I. Sex as power in the reign of Elizabeth I. Elizabeth was a political mastermind and monarchic force who reigned supreme for 45 years, and yet … The coolest London events from our partners. We first meet Elizabeth, played by Nina Cassells, as a highly educated but frightened 14-year-old princess praying to “my father.” It’s not clear to us, and perhaps to her, whether she means the one in Heaven or King Henry. Abigail Cruttenden’s commanding performance as the elder Elizabeth plays perfectly against the calculated naivety of Nina Cassells’ Princess Elizabeth. Created by Ella Hickson and Natalie Abrahami SAM WANAMAKER PLAYHOUSEat SHAKESPEARE’S GLOBE. At times, however, the texture of both the play and the production does seem a little thin. The dark period dresses, embellished with a jewel-encrusted portrait of the queen herself, impart a sumptuous sense of history. Synopsis (archaic, transitive) To copulate with (a woman). By Natasha Sutton Williams on 13/12/2019. Elizabeth, who has become known in history as ‘the virgin queen’, finds safety and power in remaining inviolate. Yet part of the point of Swive is stripping back the history play to its viscera. While Elizabeth claims innocence and points out that she is only 14, his wife Katherine Seymour is convinced she knows exactly what she’s doing. Please click the link in your email inbox to confirm your subscription. She is afraid of the dark, describing how, on the day her mother was executed, she was left with a sleeping nurse and couldn’t reach the candles to light them. The cast of four play all the roles but you are never in doubt as to whom they are and Natalie Abrahami draws fine performances from all of them. (archaic, transitive, dialectal ) To cut a crop in a sweeping . She is also a playwright and has worked with Soho Writers' Lab, the North Wall Arts Centre, and Menagerie Theatre Company. Swive2020-01-085.0Reviewer's rating“I want to go home but I don’t know where it is,” says a young, exasperated Princess Elizabeth played by Nina Cassells from almost pitch darkness. She reigned for forty-four years. Swive [Elizabeth], Sam Wanamaker Playhouse review ★★★★ ★ 06 Dec 19 – 15 Feb 20, 7:30 PM – 9:30 PM. Get the Best of London Life, Culture and Style, By entering my email I agree to the CultureWhisper, Best pumpkin patches near London for a family day out, Things to do in London this weekend: 16 - 18 October, Everything you need to know about UK Disneyland, Kent's London Resort, Swive [Elizabeth], Sam Wanamaker Playhouse review, The Globe, 21 New Globe Walk, Bankside, London, SE1 9DT, Click here for more information and to book. Show details. Occasional information about discounts, special offers and promotions. Each week, we sent newsletters and communication featuring articles, our latest tickets invitations, and exclusive offers. About. The power of kings is never predicted on their appearance. or rambling manner, hence to reap; cut for harvest. Seductress. Looks like this article is a bit old. She is London Reviews co-Editor for Exeunt, with a focus on fringe and Off-West End theatre. Hickson mixes historical social etiquette with contemporary language and humour to give an admiring portrait of Elizabeth: grasping onto sovereign power with all her might, defying royal convention by not marrying, remaining childless, not allowing privy council men to govern for her, ultimately ruling for forty-four years. As she tells Cecil, dodging yet another proposal from her sister’s widow Philip of Spain, ‘How can I be a head of a country and yet subject to a husband?’ Why would she give away her power, so fiercely fought for, so precariously held? The show ends on a slightly hurried note, which feels more like the end of an act than the end of the play itself, but this is one of the few quibbles of the piece. When Elizabeth is crowned queen there is a dynamic shift where actor Abigail Cruttenden takes the role of Elizabeth the Elder from Nina Cassells who plays Elizabeth the Youth. What it creates is a false sense of security.”.

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