Row A seat 1 especially is to be avoided as it has an official "restricted view" designation, but isn't discounted significantly unless used as a "day seat.". ", "O7: "Consent" (May 2018). Staging is significant - I can see they could be a good bet at times e.g. The stage came out into the stalls so at times we couldn't see the acting at all. Unacceptable at the price. Seats D1 and 22 have space for 1 leg with 10% clear in front. Great seat and lovely view, missing none of the action for £15!

Walk ahead of you. Without pillars to add to rail intrusion, for those wanting a central view, take row C first, then B, then A; which will be uncomfortable for those over four foot tall.

Skip row A for comfort and view at any price. The seats in the Harold Pinter theatre are quite comfortable but legroom is fairly restricted. Unless you give us your explicit consent we will not email you any marketing messages.

Outermost ends of rows do not have aisles next to them – claustrophobics beware. Two large pillars in row M hold the circle up and destroy the view from most seats in the rear stalls (though creating a few cut price ticket opportunities; see below). I found this perfect for overcoming the Pinter pillar problem. I could see 100% of the stage. Keep going straight on.

", "O12 and 13: "Birdsong" (September 2010), (Rich). On this occasion (the first time really) I strongly disagree with theatremonkey's assessment. And it was not. Also look across the aisle at B 4, 5, 15, 16 and C 4, 5, 16, 17.

The Harold Pinter Theatre: History. ", "R1: "Oslo" (October 2017). Towards the end of the show I was fidgeting (a touch more upholstery would be appreciated). For personal callers or by post: I could not wait for the production to end. The rake is not very steep however so if you have a tall person in front this can be frustrating. I was a bit nervous about being behind the safety rail, but it didn’t cut into my view at all.

When the ends of rows are cheap, the monkey would take aisle seats in rows B to D instead, for an inch of extra legroom if squirming sideways and save a few pounds at the same time. ", “N7: "The Children's Hour" (February 2011). One block of seats, with aisles at either end. A rank for Black taxis is at Charing Cross Station - a long distance from the theatre. What a great show, definitely worth a visit.The theatre is also worth seeing - it is beautifully presented inside the auditorium, and is so quaint.

One reader, taking a quick glance during an interval summed it up with, There are only a few West End theatres that have balcony seats, the Theatre Royal Haymarket and Harold Pinter Theatre being examples. Outside these hours the Ticketmaster agency answer calls on their behalf. "A12: "The Lover / The Collection" (September 2018). As feared (after pre-sale chaos) E6 dress circle an utter disgrace for £65. At top price, the monkey would skip all but inner aisle seats in rows B and C, really. It was known then as the Royal Comedy Theatre. The problem is the leg room. At 5'7" I hardly had to look up at all and at £15 was a bargain! It does little for the view from K1 either... Outermost seats in row A have poor views. “Box D: “La Bete” (June 2010), (That Fulham Couple).

The Harold Pinter Theatre (formerly The Comedy Theatre), is a London West End theatre that opened on Panton Street in the City of Westminster on 15 October 1881. Continue walking downhill (your right as you cross). Buy your tickets with confidence here. The overhang from the balcony above starts to obstruct the view from seats in the last quarter of the upper circle, and the best seats on this level can be found in the front three rows. I thought the seats were comfortable enough with fair padding and didn't experience any discomfort (though one lady in our group said she was a little uncomfortable towards the end of the play). ", "M8: Great seat for me but not raked very well for my friends who are of an average height. Seats here face the stage at an angle - the view of centre stage is fine. There are no aisles separating the seats in this section, forming one single block of seats. No trouble to see over the heads in front either. The safety bar was slightly annoying however. | This intrudes into the view from many seats, running horizontally across it. It puts sound down to the age of the theatre - designed for best acoustics in an era without microphones, but would welcome observations from other guests.). We had half price seats in Row C (thanks Theatremonkey for the advice). No real issue that the monkey could see, unless tall and needing a lot of space directly in front. While we try to ensure they are as close to the actual theatre plan as possible we cannot guarantee they are a true representation. ", "B15: This was a good seat as you could see the whole stage and felt very close to the action. Foyer, Stalls and Upper Circle. Went to see Sunny Afternoon which is a brilliant show. Operated by the Ambassador Theatre group's own phoneroom from 9am until 10pm (Sundays 10am until 8pm).

These are outside the proscenium arch, with a poor view of the outermost edges of the stage. Those over 5ft 7 are going to be uncomfortable anywhere here. What a fabulous,comedy musical! Rows D to H seats 7 to 16, row J seats 5 to 14 and K 6 to 15 offer best value at top (non-premium) price, in the monkey's opinion. Almost all of rows C to M normally offer acceptable value for money with only the first and last two seats in rows C to H should be avoided. The Harold Pinter's reputation grew through World War I when Charles Blake Cochran and André Charlot presented their famous revue shows. "Tested the notorious N7 and N15 £5 seats...sat in them for test purposes I would have zero complaints, easy-peasy to avoid the pillar - a no brainer giveaway if booked in advance. I actually felt quite near to the performers here, could see expressions and everything albeit being high up. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. Seats in the first three rows look up very steeply at the stage and should be avoided by smaller audience members and children.

When cheap and able to accept the limitations, they are a bargain, though.

The rake is quite shallow, so if sat behind a taller person/Marge Simpson you'll struggle but otherwise great view of the stage (overhang from the circle obscures the very top of the stage only). At a discount rate of £15, is absolutely fantastic. We had a great view from the stalls row D seats 5 and 6 (only a white but a perfect view)" "D11 and 12: "Nice Fish" (November 2016). OK, so it was probably misnamed by an anti-royalist theatre executive, but hey!

More recently, Francesca Annis and Anthony Andrews have starred in Ibsen's Ghosts and 2004 saw the much-lauded revival of RC Sherriff's Journey's End and a successful run of The Old Masters by Simon Gray, starring Edward Fox and Peter Bowles . If a production has row A heavily discounted either in advance or as “day seats,” the monkey would take 5 to 15 first, 1 and 19 last for view and comfort.

read more, Great intimate theatre, where things are a lot closer, staff were pleasant and seating was not the... Was worried that it might be too close but was promised that the stage was not too close to the front row.

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