In 1963, he reproduced that performance on film. (1963). Thanks to TheNinthHeart for another great tip. As this is written by Harold Pinter for the stage its a story of people in a room yelling at each other and acting strange. A scheming circus owner finds her authority challenged when the show is targeted by a vicious killer. A young woman arrives at the home of her socialite cousin, and soon finds herself sucked into the woman's complex web of deceit. He plays a homeless man who is invited into a one-room apartment by Robert Shaw, and soon told he can stay as caretaker.

The grotty and scabrous collision of grim 60s British New Wave and Harold Pinter stage play (seemingly written for a specifically small and confined stage based on how cramped this movie is). There's certainly a touch of the absurd in the way people speak, often without really answering one another. The Caretaker (AKA The Guest) definitely has Pinter's trademark menace, a claustrophobic world (even when they open it up a little because it's a film) where…. Converging wherever it is the home invasion and intruder tropes meet, this film is relatively rare inasmuch as there's usually at least a pair if not a group antagonizing those safe at home but as far as I can see there wasn't terribly too much that came before but I'll list what I recall supposing you like this sort of film as much as I do and the lineage interests you: there was Edward G. Robinson in Key Largo in 1948 and John Garfield in He Ran All the Way in 1951 and Robert Ryan in Beware My Lovely in 1952 and Frank Sinatra in Suddenly in 1954 and Zygmunt Malanowicz in Knife In The Water in 1962 and Robert Mitchum in Cape Fear in 1962. A filmed Harold Pinter play.

The Guest is a filmed adaptation of the Harold Pinter play of the same name. 16,000 films later these few are what I'd like to leave you with. Roeg does a great job of making you feel like you need to duck your head just watching this film, it feels so cramped. Deftly photographed by Nicolas Roeg, who makes the most of the cramped and cluttered quarters where much of the action takes place, this is a film of obtuse confrontations and obscure power plays as two brothers (Robert Shaw and Alan Bates) play good host/bad host with a…, Precious Gems:  www.youtube.com/playlist?list=PLn2aNgVK16Qg8V6JMbqnjKanZIrjWk6cH. This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital.

Can’t go wrong with a Harold Pinter chamber drama. Nice eye candy but he didn't have much to do.All in all, pretty badly directed and executed. The Caretaker … Great experimental use of score/sound design. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. During Dr. MacLeod's treatment, the phobias and illnesses of the various women in the test group are explored. Keep in mind that this is not 'The Caretakers' from 1964. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man.

It's not strong enough for a feature film, though it looks for all intents and purposes like a B movie which it perhaps was. Alan Bates just oozes charisma and menace; Robert Shaw is placid and unflappable, then there's the horrific revelation. Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. A tough but unhappy Broadway star re-evaluates her life when she crosses paths with a blind pianist. And poor Donald Pleasance helplessly bounces between the two, trying to maneuver for survival.

It still feels like a filmed version of a play but expertly rendered. Made by fans in Auckland, New Zealand. She seeks help from the one eye surgeon who may be able to save her sight. It opens with several lovely tracking shots, eventually taking us into the old house with the intimidating shadows. Nic Roeg’s cinematography is gorgeous. This was my first exposure to Pinter and a bit of a shock. For me personally, it's a play about the yawning chasm between the dreams of men and their reality. Claustrophobia and cruelty. Not as powerfully tense as the play, but still has a handful of real striking moments/monologues. teleadm Revered Member. Harold Pinter + Robert Shaw + Donald Pleasence + Alan Bates= a phenomenal film with stellar dialogue that is expertly performed, and manages to be both chilling and disturbing in the subtlest of ways.
Maybe it's because I fell off the film-wagon for a while, or maybe it's due to the intentionally claustrophobic atmosphere that hammers into the brain like the dripping sound of a leaking faucet never to be mended. Pssst, want to check out The Caretaker in our new look?

What he can convey in a look is enough to replace pages of dialogue. Still, probably as well filmed a play as there is. From "Veronica Mars" to Rebecca take a look back at the career of Armie Hammer on and off the screen. With Robert Stack, Polly Bergen, Diane McBain, Joan Crawford. Among those she treats like household objects are her kind husband ... See full summary », This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital. It’s an LGBTQ+ world and these are my other LGBTQ+ lists on Letterboxd: ➡️Minor Interest Films: In the Closet: A…, Jayce Fryman 18,694 films 2,857 99 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. One of those films that makes your skin itch with the constant, unyielding discomfort, and yet that mesmerising trifecta of performances at the centre make it near-impossible to look away. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary ». Shaw's sadistic brother played by Alan Bates also lives there as the homeless man will come to find out. The cast are phenomenal though, especially Shaw, and the sound score of sorts by Grainer is extraordinary. IMDb member since June 2005, IMDB v2.0 member since February 2017.

In the process, he also causes her to ... See full summary », Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. 1963 Directed by Clive Donner. iCheckMovies is a Studio Donder project. I don't know where the drugs were, unless they didn't have them in 1963. Movie covers are copyrighted by their respective owners and provided by CineMaterial. Dr. MacLeod (Robert Stack) is a new, optimistic doctor who attempts to start an out-patient program for the women in the ward. In time Aston offers him a job as caretaker of the house. The heavy acting load seems to be upon Donald Pleasence's shoulders as he's the shouty one... but, in truth, Robert Shaw is a revelation of subtlety and quite composure. The focus is on her case as the director of nurses (Crawford) and the doctor in charge of an experimental program (Stack) duke it out - naturally Crawford favors things like discipline and confinement (she would) and Stack wants to treat the patients as people and give them therapy. I slightly struggled with this, but then I find this kind of thing difficult enough as a play let alone as a film. Film data from TMDb. The Caretakers The ways in which Pinter maintains a never ending sense of suspense managed to keep me actively engaged the entire time. This…, full movie available on youtube, in english or with english subtitles available, chronologically listed. A tough lady gangster learns that she will be totally blind within a week. Then Pinter's script and the riveting performances take over, with the cryptic brotherly interactions, verbal sparring, and understated and bizarre power plays. IMDb His method of treating mentally ill patients without violence or punishment is met with resistance by the head nurse, Lucretia Terry (Joan Crawford). Stacia Kissick . Plot … I really need to watch the stage version at some point. Mobile site. Looking for something to watch?

Synopsis. please let me know if you…, www.youtube.com/playlist?list=PLn2aNgVK16Qg8V6JMbqnjKanZIrjWk6cH [ATTN:  my beloved longtime YouTube account has been UNJUSTLY suspended, for seemingly no reason whatsoever (I haven’t uploaded a single…, Every ten years, Sight & Sound conducts a poll for the greatest films of all time. Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. A decade back, when I was making a concerted effort to see all the Pinter films I could get my hands on, I was stymied by my inability to locate a copy of this, the first screen version of one of his plays. This was my first exposure to Pinter and a bit of a shock. Eventually Aston, himself irritated by the cantankerous old man, puts him out. Anywhere I can see this except youtube? The Haunting 1963 is a brilliant movie, the 1999 version well i did not hate it as much as some people but its not even close to the same level as the 1963 movie. After a distinguished career, "The Caretakers" is thankfully not his last credit. For the 2012 edition, 846…, All the films not on my Ultimate Film Canon list. Tellingly, each man's plan seems sown by a sense of injustice individual to them. In 1962, Donald Pleasence won a Tony Award for his work on the Harold Pinter play "The Caretaker". Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. In 1963, he reproduced that performance on film.

An expose of the lives and loves of Madison Avenue working girls and their higher ups. There’s some fantastic framing in this.

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